The Crêpe Makers of France

Photo credit: Nelson Sosa

Photo credit; Andy Simonds

Photo credit: Bob Bradburn

Photo credit: Rene Passett

Photo credit: James Offer

Photo credit: ozziebackpacker

Photo credit: Javier Lastras

Photo credit: Michael Lovitt

Want to make your own? Here’s a recipe from Epicurious:

Nutella and Banana Crêpes

4 servings

ingredients

Crepes:
1 cup all-purpose flour
1 tablespoon sugar
1/4 teaspoon salt
1 1/2 cups fat-free milk
2 large eggs, lightly beaten
Cooking spraySauce:
1/4 cup hazelnut-chocolate spread (such as Nutella)
2 tablespoons fat-free milk
1/4 teaspoon vanilla extract
2 large firm unpeeled bananas (about 1 3/4 pounds)
Powdered sugar (optional)

preparation

To prepare crepes, lightly spoon flour into a dry measuring cup; level with a knife. Place flour, sugar, and salt in a medium bowl; stir with a whisk. Combine 1 1/2 cups milk and eggs, stirring with a whisk. Add milk mixture to flour mixture, stirring with a whisk just until smooth. Cover batter; chill for 15 minutes.Heat a 10-inch nonstick skillet coated with cooking spray over medium-high heat. Remove pan from heat. Pour a scant 1/4 cup batter into pan; quickly tilt pan in all directions so batter covers pan with a thin film. Cook about 1 minute.Carefully lift edge of crepe with a spatula. The crepe is ready to turn when it can be shaken loose from the pan and the underside is lightly browned. Turn crepe over; cook 30 seconds.Place crepe on a towel; keep warm. Repeat procedure until all the batter is used. Stack crepes between single layers of wax paper or paper towels to prevent sticking.

To prepare sauce, combine the hazelnut-chocolate spread, 2 tablespoons milk, and vanilla in a small saucepan over medium heat, stirring with a whisk until smooth. Keep warm.

Peel bananas and cut in half lengthwise; cut each half crosswise into 2 pieces.

Heat a large nonstick skillet coated with cooking spray over medium-high heat. Arrange 4 banana pieces in a single layer in pan. Cook 1 minute or until lightly browned. Turn pieces over; cook 1 minute. Remove banana pieces from pan; keep warm. Repeat procedure with remaining banana pieces.

Place 1 banana piece in center of each crepe; fold sides and ends over, and place, seam side down, on clean surface. Repeat procedure with remaining banana pieces and crepes.

Spoon about 1 tablespoon sauce onto each of 4 plates, spreading to cover center of plates. Arrange 2 crepes on each plate; sprinkle with powdered sugar, if desired. Serve immediately.

The Weird, Different, and Just Plain Interesting Restaurants of Paris: A Photo Gallery

Like many of you, I dream about being in France. A lot.

And, of course, I daydream about eating in Paris, in spite of naysayers who point their compasses at other, more culinarily au courant corners of the globe.

I’m already making lists of culinary adventures in preparation for my grant-sponsoredjourney this fall, doing research in Paris and Aix-en-Provence.

The following are but just a few of the places I’m imagining …

Greek Restaurant in Paris's Latin Quarter (Photo credit: Frédérique Panassac)

Restaurant in basement of 12th-century Parisian church (Photo credit: Jerry H.)

Smallest restaurant in Paris? (Photo credit: Who cares?)

Restaurant Café de l'Odéon (Photo credit: Hotels Paris Rive Gauche)

Restaurant Impala Lounge (Photo credit: VieDeGeek)

A Dog's Life in Paris (Photo credit: Ryan)

Les Escargots: Come and Join the Dance

Escargot sculpture, Pays Basque, Aquitaine (Photo credit: eidole)

Escargot on Fennel, (Photo credit: Christophe Alary)

Escargot for Sale (Photo credit: Christine und Hagen Graf)

Escargot in Bowl (Photo credit: Gavin Mecaniques)

Snail Exploring Serving Dish (photo credit: Alan Goze)

Snails in Cast Iron Skillet (Photo credit: Craig Hatfield)

Cooked (Photo credit: Guillaume Brialon)

Eating (Photo credit: Mark H. Anbinder)

Snail Tongs and Fork

For an introduction to the lives of wild snails, do take a look at this marvelous book by Elizabeth Tova Bailey:

Note:  Lewis Carroll wrote a poem, “A Whiting and a Snail,” from whence comes the title of this post:

‘There is another shore, you know, upon the other side.
The further off from England the nearer is to France -
Then turn not pale, beloved snail, but come and join the dance.’

Lemons – Tiny Cathedrals of Gold

Lemons, their pitted, nay, prehistoric, skins secreting golden oil,

Shielding sourness, evoking memories of a grandmother’s kitchen,

A grandfather’s garden.

Born in the East, fruitful India,

A kiss of cold, albeit fleeting, spawns the yellow

Immortalized  in stone, paint, and clay.

A fruit reverenced,

Blossoming from mountain and lake,

Urging cooks to slice, pierce, and squeeze,

Inspiring miracles among the pots and pans.

Lemon curd …

Lemon pie …

Lemon chicken …

Preserved lemons …

Limoncello …

Such richness!

Pasta with Lemon and Mint
Serves 4

2 tablespoons butter
¼ cup extra virgin olive oil
Zest and juice of two large unsprayed lemons (or one Almalfi lemon)
2-3 cloves garlic, peeled and minced
½ t. fresh cracked black pepper
Pinch of red pepper flakes, to taste
Pinch of nutmeg
Generous handful of fresh basil and Italian parsley, finely chopped
1 T. sniped chives
1 T. finely chopped fresh mint
A cup or more of finely grated Parmigiano-Reggiano cheese
Sea salt, to taste
1 lb. linguine or spaghetti pasta

Stir all the ingredients except the pasta together in a large serving bowl.

Cook the pasta until al dente. Add about 3/4 cup of the boiling cooking water to the lemon mixture before draining the pasta. Toss the hot pasta with the sauce until well coated. Let pasta sit for a few minutes to cool a bit and soak up some of the liquid. Taste for saltiness. Add more cheese if desired, and serve topped with fine shreds of mint leaves. (Good cold, too!)

 

Cutting the lemon
the knife
leaves a little cathedral:
alcoves unguessed by the eye
that open acidulous glass
to the light; topazes
riding the droplets,
altars,
aromatic facades.

~~ Pablo Neruda, ‘Ode to a Lemon’

En el limòn cortaron
los cuchillos
una pequeña
catedral,
el ábside escondido
abriò a la luz los ácidos vitrales
y en gotas
resbalaron los topacios,
los altares,
la fresca arquitectura.

The earth resides in the food we eat … and therefore in us.

© 2011 C. Bertelsen

Eating the Wild Air …

From the first gasping breath, when tiny hands claw at air, reaching futilely for an anchor, a rope, air feeds us.

Even  fish of seas and lakes and rivers seek that building block of air — oxygen.

Fire roars when coddled by oxygen and whimpers like a teat-deprived newborn lamb in its absence.

Steam, the child of fire and water, births bread and soufflés, and yet sometimes bites the hand that feeds it. “Don’t play with fire, you may get burned.”

Surely violence creates beauty, when a strong, sure hand beats eggs, whips cream, churns and pounds and stirs.

All infusing the breath of life into nourishment.

Chantilly. And pâte à choux

Meringue.

Popovers.

Foaming, emulsifying, uniting opposites. Taking Earth’s bounty. Making tissue, flesh, sinew.

Cooking.

Sabayon.

Sabayon, from Julia (Child)

6 egg yolks

1 cup sweet Marsala wine or port,  sherry, or Madeira

1/3 cup sugar, or to taste

Several drops of lemon juice (optional)

Whisk the yolks to blend them together, then pour in the Marsala and sugar in a stainless steel bowl. Place the bowl in a saucepan over hot water. Whisk constantly for 4 – 5 minutes, until the mixture takes on the consistency of lightly whipped cream. Be sure to scrape the bottom of the bowl regularly with the whisk to prevent the eggs from scrambling, and keep adjusting the heat if necessary. Taste the sabayon — if done correctly it will never be hot enough so that you can’t stick your finger into it for a tiny lick! At this point, a few drops of lemon juice might liven things up if necessary. Continue beating until sabayon mixture is thick, foamy, and three times its original volume. Remove from heat. Serve hot as is, tepid, or cool, with berries, etc. (From Julia and Jacques Cook at Home, 1999, p. 388-389.)

THE WIND.
Of all the sounds despatched abroad,
There’s not a charge to me

Like that old measure in the boughs,

That phraseless melody
The wind does, working like a hand
Whose fingers brush the sky,

Then quiver down, with tufts of tune

Permitted gods and me.
When winds go round and round in bands,
And thrum upon the door,

And birds take places overhead,

To bear them orchestra,
I crave him grace, of summer boughs,
If such an outcast be,

He never heard that fleshless chant

Rise solemn in the tree,
As if some caravan of sound
On deserts, in the sky,

Had broken rank,

Then knit, and passed

In seamless company.

~~ Emily Dickinson

 

The earth resides in the food we eat … and therefore in us.

© 2011 Cynthia Bertelsen

Idylls of Cuisine, #57

[In this space, I usually write "A photograph, and nothing more, for silent contemplation." But today I'd like to add that as long as people hold a fork or chopsticks, or coil their fingers, with food in front of them, hope exists in the world. A full belly and a passion for living, what more do we need? May all be fed ... ]

Idylls of Cuisine, #52

Photo credit: Amy Wilson," Shelf Life" *

[A photograph, and nothing more, for silent contemplation.]

*I usually don’t write anything for these “picture-only” posts, but I encourage readers to check out the “Shelf Life” Web site, because of the clever commentary on packaged foods and retro food-product ads. A column, “Shelf Life,” appears monthly in the National Toronto Post as well.